This episode has an explicit tag! You are warned! Unlike the last time we used an explicit tag, when Amal El-Mohtar said one swear word, and Mike Allen read one bit of story which referenced male anatomy, this explicit tag means serious business. We all use salty language and touch on mature content (by which I mean the sorts of things that are sure to titillate all of our inner twelve-year-olds). So. Keep that in mind before turning this on at work, or around your young kids or sensitive friends.
I’ve cut an hour’s worth of stuff from our original conversation, but this podcast episode still runs just shy of two hours. Because it’s a long one, and in case you don’t want to be spoiled for any of the stories we discuss, here are some time cues for you:
We have general interview chat until the 43 minute mark. At around 43 minutes in we begin to discuss Peter M. Ball’s Horn and Bleed (as recommended by Ian). At about 1:09, we begin to discuss Hal Duncan’s “The Behold of the Eye” (as recommended by me), and at about 1:26, we begin to discuss Kim Westwood’s “Nighship” (as recommended by Kirstyn).
Kirstyn and Ian’s Projects Mentioned in this Episode
*Madigan Mine is Kirstyn’s novel (which has won all the Aurealis and Chronos awards, and which is available on Kindle in the US). We didn’t get the chance to discuss the book, but if you’d like to hear Kirstyn speak more about it, you can listen to her interview on Galactichat.
*Last Short Story is the short story review project Ian’s taking part in.
*Ian wrote several stories for Big Finish Audio’s Doctor Who Short Trips series.
*Ian’s other podcast is Shooting the Poo.
*Kirstyn and Ian co-edited the first issue of Midnight Echo, the magazine of the Australian Horror Writers Association.
*Bloodsongs was another magazine with which they both had some affiliation back in the day.
Writers/Projects/Pieces We Mentioned
*Peter M. Ball (Author of Horn and Bleed–e-books at Smashwords).
*Hal Duncan (author of “The Behold of the Eye”).
*Kim Westwood (author of “Nightship”).
*Felicity Dowker (guest on Writer and Critic Episode #4, Australian Horror Writer, and undeserving victim of Ian’s rumor-spreading impulse).
*Trent Jamieson (nice guy of Australian specfic).
*John Richards (part of the Boxcutters podcast team, and TV writer who created Outland, the series about a group of queer fans–he’ll be a guest on The Writer and the Critic in November).
*Tansy Rayner Roberts (One third of the Galactic Suburbia team, and writer of a trilogy, the first two books of which Kirstyn is hoarding unread until such time as the third one comes out).
*Alisa Krasnostein (One third of the Galactic Suburbia team, and the World Fantasy Award nominated person behind Twelfth Planet Press).
*Catherynne M. Valente (Writer, past Writer and Critic guest, and person who is not responsible for Ian’s guilt).
*Caitlín R. Kiernan (Author of The Red Tree, a book with queer content, which Ian and Kirstyn both liked).
*Kathe Koja (author of Under the Poppy, another queer content heavy story, which Ian and Kirstyn both liked).
*Rose Fox’s Genreville Post calling for honest reviews.
*Jennifer Pelland (author of some Nebula nominated stories, and person whose reading provided me with a safe place to hide during my first traumatic con experience).
*Nicole Kornher-Stace (whose stories, like Kim Westwood’s, are beautiful and hard to categorize).
*Wilde Stories ( 2008, 2009, 2010, 2011–the best gay stories collected each year by Steve Berman).
*Icarus (the magazine of gay speculative fiction)
*Poppy Z. Brite (author of many horror books with gay content, which Kirstyn’s ex used to imagine didn’t exist).
*Charles Tan and Cheryl Morgan (who Ian rightly called out as awesome specfic news resources).
*Mary Robinette Kowal (who put out her Hugo winning short story as an e-book with the first draft and commentary on the story’s evolution).
*Fran Drescher on Wikipedia.
*Coode Street Podcast (whose beginning we took for our ending).
If you have feedback, please leave a comment, tell us on the google group, or e-mail me directly at firstname.lastname@example.org. I’d love to hear from you!